I’ve had a lot of fun in my career in the studio, but I’m not sure I’ve ever had more fun than that.

We have that in common as far as really reading a lyric and throwing yourself into the story. I study the lyrics because how you read a lyric affects how you sing it. I have always approached songs like they are poems or a mini-movie that you are in for three and a half minutes. He really did wrap himself in the lyric, and that’s something that made me able to relate to him. “I think that’s because his style is so conversational. “There’s Frank and then there’s everybody else,” Yearwood tells MusicRow Magazine. With her latest project, Let’s Be Frank, Yearwood pairs her timeless voice with a timeless catalog-the songs of Frank Sinatra. 1s) since Trisha Yearwood released her breakthrough 1991 debut “She’s In Love With The Boy,” the singer has proven she possesses a voice enviably capable of drawing out the meaningful nuances of songs from a number of musical genres, from western swing (see “Cowboys Are My Weakness”), power-belting soul numbers (“Wrong Side of Memphis,” “Heaven, Heartache, and the Power of Love”), to pop balladry (“How Do I Live”). Twenty-eight years, multiple platinum albums, and nearly 20 Top 10 hits (including five No.

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